'There is no point beating around the bush: Alice Gold as Mrs Lovett was the undisputed star of the show. She was grotesque, never missed a beat or faltered in the face of Sondheim’s notoriously tricky lyrics and harmonies and managed to handle with alacrity the incredibly difficult job of appearing to be a bad singer ["Sweet Polly Plunket"] when one has, in fact, an unrivalled set of pipes.' - Elliot Douglas, The Tribe.



Colette Collage (musical) - Pauline, u/s Colette (2020)

If/Then (musical) - Anne (2020)

The Card (musical) - Mrs. Machin (2019)

as well as vigorous training in: Ballet, Jazz, and Tap; Singing; Spoken Voice, and Acting (in which she explored the roles of Algernon, Miss Prism, and Gwendolyn (The Importance of Being Earnest) and Violet and Ivy (August: Ossage County).


House & Garden - Joanna (The Grad Fest) 2020

Dinner at the Library – Penny/Caroline (Moonstone Murders) 2019

White Rabbit [film] – Mallory (City of Glasgow College) 2019

The Three Kingdoms – King KirkElla/Actor-Muso Narrator (SHE Productions/ERT) 2015

A Christmas Carol – Ensemble (dir. Mike Friend for ERT) 2014

My Fair Lady – Eliza Doolittle (Byre Theatre) 2019


Sweeney Todd – Mrs. Lovett (Byre Theatre) 2018

The Mikado – Katisha (Byre Theatre) 2018, (Edinburgh Fringe Festival) 2016

Our Country’s Good - Dabby/Tench (St.Age) 2017

Hedda Gabler  – Miss Tessman (Sonder Theatre Co.) 2017

Not I – Mouth (Wanton Theatre Co.) 2016

The Importance of Being Earnest  – Gwendolyn (PSPA) 2016

ShakesQUEER - Malvolio/Katherine (Sonder Theatre Co.) 2016

RolePlay – Dee (Barron Theatre) 2015


Music: Mezzo-Soprano*; Alto*; Soprano*; Belt*; Guitar (beginner)

Dance: Jazz; Musical Theatre; Ballet; Tap; Scottish Ceilidh Dancing

Accents: RP; Heightened RP; Yorkshire; Irish (General); Scottish (General); American (General); American (Southern)

Other:  Voice-Over/Audiobooks; Presenting; Clean UK Driving Licence; Advanced Driving; Knitting; Life-Drawing; Modelling

United Kingdom

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